Garcia-Sanchez, Cristobal J. Augmenting reality in books: a tool for enhancing reading skills in mexico[J]. Publishing Research Quarterly, 2017, 33（1）: 19-27.
CSIKSZENTMIHALYI M. Play and intrinsic rewards [J].Journal of Humanistic Psychology, 1975, 15（3）: 41-63.
[5]
SANDERS T, Cairns P. Time perception, immersion and music in videogames[C]//British Computer Society Conference on Human-computer Interaction. British Computer Society, 2010: 35.
[6]
ERMIL. Fundamental components of the gameplay experience: analysing immersion[C]//Digital Games Research Conference 2005, Changing Views: Worlds in Play. Canada：British Columbia, 2005：37-53.
[7]
THON J. Immersionrevisited:on the value of a contested concept in extending experiences[J]. Structure, Analysis and Design of Computer Game Player Experience, 2008（10）：18-19.
[8]
ADAMS E. Fundamentals of game design[M]. New Riders Publishing, 2010: 88.
[9]
MASSIMINI F, Carli M．The systematic assessment of flow in daily experience[J]. Optimal Experience, 1988（10）：266-287.
[10]
RYAN M L. Narrative as virtual reality: immersion and interactivity in literature and electronicMedia[M].Johns Hopkins University Press, 2001：66-69.
[11]
SLATER M. A Note on presence terminology[J].Presence connect, 2003：35-38.
[12]
JOHN D. Art as experience[M]. New York: Perigee Book, 1980: 264.
