|
|
|
| Multidimensional and Dynamic Pathways for the Value Assessment of Digital Copyrights |
| ZHENG En |
| School of Journalism and Communication, Tsinghua University, 100084, Beijing, China |
|
|
|
|
Abstract With the rapid advancement of the digital economy, digital copyright assets have become a pivotal indicator of competitiveness and innovation for publishing institutions. Traditional static evaluation approaches prove insufficient in capturing the multifaceted, dynamic nature of digital copyrights, especially in contexts where user interaction, social sharing, and data-driven feedback loops continuously reshape asset value. This study constructs a comprehensive evaluation framework based on the concept of data assetization, aiming to quantify the real-time, multi-dimensional value of digital copyrights. The proposed “four-dimensional dynamic coupling model” integrates content value, relational network value, data value, and derivative development value, capturing the synergistic effects across these dimensions. The model’s theoretical foundation rests on complex systems theory and industrial ecology, highlighting how non-linear interactions—such as user behavior, content quality, and derivative product potential—drive value emergence.To ensure accuracy and scientific rigor, this study implements a hybrid weighting approach combining the Analytic Hierarchy Process (AHP) and entropy-based methods, with dynamic weight adjustment mechanisms reflecting market trends and user activity indices. Data collection includes content quality metrics (e.g., citation counts, ratings), network value indicators (user scale, interaction frequency, and influencer contributions), behavioral data (both structured and unstructured), and derivative development factors (intellectual property (IP) adaptability and cross-media potential). The reliability and validity of the proposed model were verified through multiple tests, including Cronbach’s α (>0.85), confirmatory factor analysis (CFI > 0.93), and historical case back-testing of 15 prominent IPs (e.g., Joy of Life, Battle Through the Heavens), achieving an average deviation of 9.6% compared with actual transaction values. Empirical results indicate that content with the higher user engagement and data richness demonstrates significantly greater value amplification through social media interaction and derivative commercialization. Case studies, including Netflix’s recommendation system and the #BookTok phenomenon, illustrate how dynamic user feedback and algorithmic distribution mechanisms enhance copyright value, providing insights into the non-linear growth trajectory of digital assets. Furthermore, the model reveals that derivative development (e.g., spin-offs, merchandise, cross-media adaptations) not only increases revenue streams but also feeds back into content and network value, thereby establishing a self-reinforcing cycle of value co-creation.The findings provide actionable strategies for publishers and digital content owners, highlighting the integration of big data analytics, AI-driven recommendation systems, and blockchain-based copyright tracking to optimize value management. While the model demonstrates high adaptability and precision, challenges such as data governance, privacy protection, and cross-platform collaboration remain critical for its large-scale application. Future research directions include refining the model automation, enhancing real-time evaluation capabilities, and establishing unified industry standards for digital copyright valuation.In summary, this study advances both theoretical breakthrough by combining data assetization with multi-dimensional dynamic modeling and delivers a practical tool for strategic decision-making in the publishing industry. By aligning content production, user interaction, and technological innovation, the proposed framework facilitates the maximization of both economic and social value of digital copyrights, ultimately contributing to the sustainable evolution of the digital publishing ecosystem.
|
|
Published: 09 September 2025
|
|
|
|
| 特征维度 | 传统出版物版权 | 数字版权 | | 价值载体 | 实体出版物(书籍、光盘等) | 数字文件+技术系统+数据资产 | | 价值稳定 | 相对固定(出版后难以变更) | 动态波动(可随用户行为实时调整) | | 边际成本 | 递增(新增复制品意味着成本增加) | 接近于零(数字内容复制无额外成本) | | 价值构成 | 单一内容价值 | 内容+数据+关系网络+衍生开发价值 | | 技术作用 | 辅助传播(如印刷技术) | 核心驱动(决定价值生成路径) |
|
|
|
|
|
|
| 维度 | 子维度 | 描述 | | 内容价值 | 内容品质 | 学术价值、文化价值、艺术价值、思想价值 | | 传播影响力 | 阅读量、点赞量、分享量 | | 知识产权保护情况 | 版权登记、专利申请、商标注册 | | 关系网络价值 | 用户规模 | 用户数量、浏览时长、活跃用户数 | | 互动活跃度 | 打赏数、评论数、二次创作数 | | 用户资源质量 | B端用户、KOL | | 数据价值 | 数据规模 | 结构化和非结构化数据 | | 数据质量 | 数据的时效性、准确性、关联度 | | 大数据分析能力 | 数据处理与分析能力 | | 衍生开发价值 | 故事类型 | 奇幻类、玄幻类、科幻类 | | 世界观架构 | 世界观完整性、人物丰满度 | | 粉丝活跃度 | 粉丝创作(如同人文、视频等二次创作)、见面会人数 | | 衍生品潜力 | IP改编友好度、跨界适配性 |
|
|
|
| 一级维度(权重) | 二级维度(权重) | 评估要素 | 权重来源依据 | | 版权内容价值(0.35) | 内容品质(0.45) | 学术价值、文化艺术价值、思想深度 | Kossecki(2023)内容价值评估模型 | | 传播影响力(0.35) | 阅读量、点赞量、分享量 | Netflix用户数据分析(Wu et al., 2023) | | 知识产权保护(0.20) | 版权登记、专利申请、商标注册 | 行业实践数据 | | 关系网络价值(0.25) | 用户规模(0.40) | 用户数量、活跃度、使用时长 | Anderson(2024)用户价值研究 | | 互动活跃度(0.35) | 评论数、二次创作量、社群活跃度 | 社交媒体数据分析 | | 用户资源质量(0.25) | KOL影响力、用户构成 | 平台运营数据 | | 数据价值(0.25) | 数据规模(0.30) | 结构化与非结构化数据量 | Dixon & Levine(2021)数据价值模型 | | 数据质量(0.40) | 时效性、准确性、完整性 | 数据治理标准 | | 数据分析能力(0.30) | 分析工具、预测准确率 | 技术评估指标 | | 衍生开发价值(0.15) | 故事类型(0.25) | IP类型、题材潜力 | Smith et al.(2023)IP价值研究 | | 世界观架构(0.30) | 世界观完整性、可扩展性 | 内容开发数据 | | 粉丝活跃度(0.25) | 粉丝规模、互动深度 | 用户行为数据 | | 衍生品潜力(0.20) | 改编空间、商业化程度 | 市场开发数据 |
|
|
|
| 1 |
史辉. 数字版权价值评估法律影响因素分析[J]. 经济与社会发展, 2016 (4): 49- 53.
|
| 2 |
崔波. 双循环新格局下数字版权贸易理论体系构建:概念、框架与路径[J]. 出版发行研究, 2023 (6): 8- 9.
|
| 3 |
张颖, 毛昊. 中国版权产业数字化转型:机遇、挑战与对策[J]. 中国软科学, 2022 (1): 22- 23.
|
| 4 |
张韵. 技术规制:数字平台版权价值体系的重构[J]. 中国出版, 2020 (11): 57- 58.
|
| 5 |
史竞男,刘博,余俊杰. 规模超1.6万亿元!数字出版产业活力强劲[EB/OL].(2024-09-22)[2024-11-24]. https://www.gov.cn/yaowen/liebiao/202409/content_6975805.htm.
|
| 6 |
章红雨,李美霖. 《2023—2024中国出版业发展报告》发布?九大趋势直击出版业发展与变革[EB/OL].(2024-12-16)[2024-12-16]. https://www.nppa.gov.cn/xxfb/ywdt/202412/t20241216_877437.html.
|
| 7 |
蒋柯楠,罗培,关瑞玲. 数据资产的评估方法探讨[EB/OL].(2023-08-22)[2024-12-16]. https://www.iii.tsinghua.edu.cn/info/1131/3565.htm.
|
| 8 |
许潇菲, 周志雄. 网络小说中的电子游戏经验及其反思[J]. 湖北大学学报(哲学社会科学版), 2025 (1): 72- 81.
|
| 9 |
刘鲲翔, 王飚. “数据要素×”背景下关于出版业数据资产化的思考[J]. 出版发行研究, 2024 (8): 5- 15.
|
| 10 |
胡毓婧. 阅文集团2023年收入70.1亿元,《庆余年2》等IP改编剧今年播出[EB/OL].(2024-03-19)[2024-12-16]. https://www.sohu.com/a/765192304_313745.
|
| 11 |
SCHAUTEN M B J , STEGINK R , de GRAAFF G . The discount rate for discounted cash flow valuations of intangible assets[J]. Managerial Finance, 2010 (9): 799- 811.
|
| 12 |
KOSSECKI P , AKIN O . Valuation of copyrights to audiovisual works:Transparency practices of the copyright management organizations in the European Union[J]. Ekonomia i Prawo, 2021 (3): 543- 571.
|
| 13 |
LOSEVA O , KOSORUKOVA I , FEDOTOVA M , et al. Valuation of digital intellectual assets:Principles,factors,approaches and methods[J]. Finance:Theory and Practice, 2022 (4): 6- 28.
|
| 14 |
XIAO L,HUANG W,XIE Y,et al.(2020). A blockchain-based traceable IP copyright protection algorithm[J]. IEEE Access,2020(8):49532-49542.
|
| 15 |
蔡斐, 王啸洋. 出版数据确权的动因、挑战与进路[J]. 出版发行研究, 2024 (8): 16- 22.
|
| 16 |
PARADISI P , KANIADAKIS G , SCARFONE AM . The emergence of self-organization in complex systems– Preface[J]. Chaos Solitons & Fractals, 2015, 81 (part B): 407- 411.
|
| 17 |
薛晗. 基于区块链技术的数字版权交易机制完善路径[J]. 出版发行研究, 2020 (6): 51-56,26.
|
| 18 |
GóMEZ-URIBE C A , HUNT N . The Netflix recommender system:Algorithms,business value,and innovation[J]. ACM Transactions on Management Information Systems, 2016 (4): 1- 19.
|
| 19 |
MORO-Visconti R . The valuation of digital intangibles:Technology, marketing and internet[M]. Cham: Palgrave Macmillan, 2020: 267- 291.
|
| 20 |
RICHERT D , MASAUD K , MACNAB C J B . Discrete-time weight updates in neural-adaptive control[J]. Soft Computing, 2013 (3): 431- 444.
|
| 21 |
BALLING G,MARTENS M. BookTok helped us sell it:How TikTok disrupts publishing and fuels the #Romantasy boom[EB/OL]. [2025-02-10]. https://www.researchgate.net/publication/385827727_BookTok_Helped_Us_Sell_It_How_TikTok_Disrupts_Publishing_and_Fuels_the_Romantasy_Boom.
|
| 22 |
阎晓宏. 数字经济中的版权力量[J]. 中国出版, 2023 (8): 3- 6.
|
| [1] |
CHEN Qiang,ZHANG Ganghua. Reality and Future of Age-Friendly Digital Publishing: A Perspective Based on Digital Affordances[J]. Science-Technology & Publication, 2025, 44(6): 73-79. |
| [2] |
FAN Wenting. Optimization of Multi-subject Collaborative Innovation Path in Value Cocreation on Multi-Sided Digital Reading Platforms: A Platform Ecosystem Perspective[J]. Science-Technology & Publication, 2025, 44(4): 94-102. |
| [3] |
MAO Wensi,WANG Biao. Reviewof Development Trends of Chinese Digital Publishing in 2024 and Prospects for 2025[J]. Science-Technology & Publication, 2025, 44(3): 14-26. |
| [4] |
QIU Qian,ZHANG Sen. Beyond the "Dilemma of Integration": Digital Dilemma, Generative Logic and Corrective Measures of Digital Intelligence Technologies Empowering Children's Publishing[J]. Science-Technology & Publication, 2025, 44(1): 89-100. |
| [5] |
ZHANG Xinxin,CHEN Shaozhi. Accelerate the Construction of the Three Major Systems of Digital Publishing and Effectively Promote Theoretical Innovation in Digital Publishing: Analysis of Academic Hotspots in Digital Publishing during the 14th Five-Year Plan Period and Outlook on Key Issues in the 15th Five-Year Plan[J]. Science-Technology & Publication, 2025, 44(1): 61-76. |
|
|
|
|